Art , Class , Accessibility

My personal misgivings about "conceptual art" have always been about class and accessibility . Art that requires an artist's statement or manifesto to understand means it can only be understood by those educated in conceptual art. Art that requires the white walls of a gallery to contextualize it , fails to be accessible to to the majority of people who for reasons of class , will not step foot inside a gallery.

Because of this , the world conceptual art becomes a gated community where the entry key is connections , money , education and ample free time. Only the social elite need apply .

Brendan Fowler aka BARR , despite his "cred" in the D.I.Y scene doesn't seek to prove otherwise with the piece he made about our band and Jay Reatard. The piece in question (titled 11/16/07, 11/18/07) costs $3000, the most expensive piece in the show.

The price of the speaks loud and clear on WHO Mr.Fowler seeks as an audience. And it ain't "the kids" .

(In stark contrast , the most expensive anything by my and AIDS Wolf drummer Yannick's art factory , Seripop , was 150$ for a 16 color one-of-a-kind silkscreen monoprint.)


You better have a good job or large trust fund if you wanna buy some of this brand of empowerment.


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Our buddy Jake overheard this BRILLIANT tidbit : "Why isn't Child Abuse ( Our LPU labelmates , FYI) in it?" and his friend said "Well, I
guess he knows those guys and knows they're good dudes".


No news on if he will be doing more of this deep , hard hitting work about the bands Child Pornography , Anal Cunt , Fag Cop , Two Dead Sluts , One Good Fuck or canuk punk legends , The Dayglo Abortions.






Read a review of the show here.

Unfortunately , Brendan declined an invitation to our Knitting Factory show this Friday. A shame because I have tons of questions to ask him about art , class and the controversial works of some of the artists featured in his magazine. Because if Raymond Pettibone's (bless his soul , I love him to death!) drawings aren't "socially questionable" , I don't know WHAT is. That's exactly why his work is so relevant.